Synopsis

Suitable as both a reference and a teaching text, this volume integrates film history and aesthetics with an analysis of the technological, social, and economic contexts of world cinema. It concentrates on narrative film, excluding documentary cinema, animated cinema, and the experimental avant-garde. The fourth edition features a new chapter on computer generated imaging as well as a new section of plates illustrating the development of color film technologies. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

Book Details